艺术家访谈的理论化

基本信息

Lorenzo Ferrarini and Nicola Scaldaferri, Sonic Ethnography: Identity, Heritage and Creative Research Practice in Basilicata, Southern Italy, Manchester: Manchester University Press, 2020.

内容简介

About this book

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.

Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.

The book will be of interest to scholars working in art history, museum studies, oral history and historiography.

关于本书

本书反思艺术家与其观众之间的关系，考察艺术家如何通过访谈公开呈现自身，并试图确立一种属于自身的批判性声音。

将访谈视为一种文化生产形式，本书诸位撰稿人探讨了界定“艺术家访谈”作为一个独立研究领域的标准，并将其置于与其他文化领域的关系之中加以审视。全书分为四个部分——“历史与史学”、“颠覆传记模式”、“访谈作为实践”以及“物质性与技术”——采取跨学科视角，涵盖艺术史、美术创作、口述史、策展、媒介研究及博物馆保护等多个领域。通过对艺术家访谈作为一种文化生产形式进行理论化，并将其视为一种共同建构的批判性实践，本书旨在倡导并推动一种新型艺术史路径：打破既有的等级结构，转而重视对话与协作的价值。

本书将引起艺术史、博物馆研究、口述史及史学理论等领域学者的广泛关注。

中国人民大学口述史研修班（第六期）报名（点击下方海报链接）

中国人民大学口述史研修班第六期（线上）以“口述史的多维视野与实践路径”为主题，汇聚口述史研究与实践领域的十二位知名学者，从理论建构、方法训练与跨学科应用等不同维度，系统呈现口述史的学术前沿与实践经验。本期研修班在理论层面，探讨口述史的社会价值、知识生产逻辑及其从经验到理论的升华路径；在方法层面，聚焦访谈技巧、文本整理与创作研究的全流程训练；在应用层面，涵盖体育口述史、互联网口述史、当代文学史书写、农村调查、红色文化研究等多元领域，并引入精神分析等跨学科视角，拓展口述史的阐释空间。