编者按：

由百陶会陶瓷教育中心主导的“转动的中心”工作营，汇聚国际陶艺大师首聚景德镇，破除跨文化壁垒，促进陶艺技艺、思想与资源联动，完善本地陶瓷教育生态。

携手三宝蓬美术馆联合筛选优秀作品，推出“蓬客景漂计划2025年度特展——转动的中心：从世界到景德镇”，以“创作-展示-传播”闭环惠及大众，是景德镇陶瓷文化“走出去、引进来”的实践。诚邀莅临三宝蓬美术馆，共赴这场跨国陶瓷艺术对话。

希腊陶艺家Theodoros Galigaliais以二十二年的深耕为笔，以地中海的文化基因与特殊烧成技艺为墨，在传统陶艺的土壤中开辟出当代表达的新路径。他的作品既沉淀着爱琴海岸的历史肌理，又涌动着现代创作的实验活力，凭借独特的艺术魅力不仅斩获国际奖项，更在社交媒体收获海量关注，成为连接传统陶艺与大众视野的重要纽带。

Greek ceramic artist Theodoros Galigaliais takes twenty-two years of dedicated practice as his brush and the Mediterranean's cultural genes and special firing techniques as his ink, carving out a new path for contemporary expression in the soil of traditional ceramic art. His works not only embody the historical texture of the Aegean coast but also surge with the experimental vitality of modern creation. With their unique artistic charm, they have not only won international awards but also garnered massive attention on social media, becoming an important link connecting traditional ceramic art with public perception.

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访谈×Theodoros Galigaliais

三宝蓬美术馆：请简要描述你的艺术风格的起源和特点以及在陶艺方面的心得体会。

Please briefly describe the origin and characteristics of your artistic style, as well as your insights and experiences in the field of pottery.

Theodoros Galigaliais：我在拉坯创作上的艺术风格基于两种互补的方式。第一种是打造受地中海风格启发、曲线优美且饱满的造型，常常让人联想到传统储物罐和容器的形状，传递出阳光、海洋与大地的气息。第二种是在拉坯后进行刻意变形，这是一种更随性、更具表现力的过程，受日本哲学（尤其是侘寂美学以及对 “不完美之美” 的推崇 ）影响。这两种风格都体现了我融合结构与情感、传统与个性的创作诉求。

我从事拉坯创作已超 22 年，拉坯是我创意实践的根基，也是我最钟爱的艺术表达方式。多年来，我对拉坯轮已极为熟悉，能在精准把控和凭直觉创作之间灵活切换。我的艺术作品中，约 60% - 70% 会采用如乐烧、铜无光烧、裸烧等特殊烧制工艺完成，这些工艺是我耗时多年掌握的，也会定期进行教学和演示。

在像景德镇工作坊这样快节奏、协作性强的环境中，我会感到十分自在。我能轻松应对时间压力，适应集体创作节奏。只要创作架构、材料到位且创作方向清晰，我其实很享受这种充满活力的创作氛围。协作、交流以及快速创作，这些都是我满怀热情期待的环节。

My artistic style on the wheel is rooted in two complementary approaches. The first is the creation of curved, voluminous Mediterranean-inspired forms, often reminiscent of traditional storage jars and vessels shapes that speak of sun, sea, and earth. The second involves intentional deformation after throwing, a more spontaneous and expressive process influenced by Japanese philosophy, especially wabi-sabi and the value of imperfection. Both styles reflect my desire to merge structure with emotion, tradition with individuality.

I have been working on the potter’s wheel for over 22 years. It is the foundation of my creative practice and remains my most beloved form of expression. Through the years, I have developed a deep familiarity with the wheel, allowing me to move fluidly between precision and intuition. Approximately 60–70% of my artistic work is finished using alternative firing methods such as Raku, Copper Matte, Naked Raku, and other techniques I have mastered over time and regularly teach and demonstrate.

In fast-paced, collaborative environments such as the Jingdezhen Workshop, I feel very comfortable. I have no difficulty working under time pressure or adjusting to collective rhythms. As long as the structure and materials are in place and the scope is clear, I actually enjoy the creative energy that comes from intense environments. Collaboration, exchange, and rapid creation are all aspects I welcome with enthusiasm.

Theodoros Galigalidis作品展示（向右更多）

三宝蓬美术馆：本次展览你作品的核心艺术理念是如何结合拉坯技法而创作的？

How did you combine the core artistic concept of your works in this exhibition with the technique of throwing on the potter's wheel?

Theodoros Galigaliais：我的核心艺术理念围绕 “容器作为内在空间的形式” 展开。拉坯技法让我能够塑造流畅、有机的形态，这些形态既体现地中海传统，又饱含个人情感。拉坯轮成为一种冥想工具，引导每件作品的节奏及其最终呈现。

My core artistic concept is centered around the vessel as a form of inner space. The throwing technique allows me to shape fluid, organic forms that reflect both Mediterranean tradition and personal emotion. The wheel becomes a meditative tool, guiding the rhythm of each piece and its final expression.

三宝蓬美术馆：通过本次景德镇工作营你对景德镇的陶瓷传统文化有什么新的理解？

What new understanding of Jingdezhen's traditional ceramic culture has you gained through this Jingdezhen workshop?

Theodoros Galigaliais：我对景德镇陶瓷传统满怀敬重，景德镇常因数个世纪以来在制瓷技艺和高品质陶瓷方面的精湛造诣，被称为 “瓷都” 。这份丰富的文化遗产深深激励着我。同时，我也将创新视为让陶瓷艺术保持生机与发展的关键部分。我认为，在尊重传统与进行创造性探索之间取得平衡，对于打造有意义且具当代性的陶瓷作品至关重要。我渴望接触这份独特遗产，贡献自己的视角，将地中海风格的形态与特殊烧制技法相融合。

I have great respect for the Jingdezhen ceramic tradition, often called the “Porcelain Capital” due to its centuries-old mastery in porcelain and high-quality ceramics. This rich cultural heritage deeply inspires me. At the same time, I embrace innovation as a vital part of keeping the ceramic art alive and evolving. I believe that balancing respect for tradition with creative exploration is essential to producing meaningful and contemporary ceramic works. I am eager to engage with this unique legacy and contribute my own perspective, blending Mediterranean forms with alternative firing techniques.

三宝蓬美术馆：通过本次景德镇工作营有什么创新的方向？

What innovative directions can be found through this Jingdezhen workshop?

Theodoros Galigaliais：作为一名生活在西方世界的陶瓷艺术家，我的教学计划植根于西方（尤其是地中海地区 ）风格与起源于远东、在美国发展演变并持 续影响中国的特殊烧制技法之间的对话。这种跨文化、跨学科的方式，塑造了我分享知识和开展交流的模式。与学生互动，融合传统、创新以及多元文化视角 ，前半句结合你之前提供的跨文化教学计划语境，完整表意就是 “在跨文化及跨学科教学计划里，和学生互动，将传统、创新以及多元文化视角相融合”

As a ceramic artist living in the Western world, my teaching plan is rooted in the dialogue between Western, especially Mediterranean, forms characterized by graceful curves bathed in light and the Alternative firing techniques that originated in the Far East, evolved in America, and continue to inspire in China. This cross cultural and interdisciplinary approach shapes how I share knowledge and engage with students, blending tradition, innovation, and diverse cultural perspectives.

Theodoros Galigalidis老师创作展示

他的作品不仅是材质与工艺的完美结合，更承载着对文化传承的思考 —— 传统并非静止的古董，而是可以通过当代创作不断生长的活态遗产。在全球化的艺术语境中，Galigaliais用窑火连接起地中海的过去与现在，用作品证明了地域文化的独特价值与当代生命力。 从爱琴海岸的工作室到国际艺术竞赛的领奖台，再到全球网友的屏幕之上，Theodoros Galigaliais 以特殊烧成技艺为支点，以传统与当代的融合为路径，让地中海陶艺在当代艺术领域绽放出独特光芒。他的创作实践不仅为传统工艺的当代转化提供了范例，更诠释了艺术如何在坚守文化根脉的同时，实现与大众的深度对话。

His works are not only a perfect combination of materials and craftsmanship but also carry reflections on cultural inheritance—tradition is not a static antique but a living heritage that can continuously grow through contemporary creation. In the context of globalized art, Galigaliais has connected the past and present of the Mediterranean with kiln fire, and proved the unique value and contemporary vitality of regional culture through his works.

From his studio on the Aegean coast to the podium of international art competitions, and then to the screens of netizens around the world, Theodoros Galigaliais has taken special firing techniques as the fulcrum and the integration of tradition and contemporary as the path, allowing Mediterranean ceramic art to shine uniquely in the field of contemporary art. His creative practice not only provides a model for the contemporary transformation of traditional craftsmanship but also interprets how art can achieve in-depth dialogue with the public while adhering to cultural roots.

Theodoros Galigalidise老师创作展示